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Welcome to Culture Crash, where we examine American culture. What’s new and old in books, film, and entertainment.

Two years ago, NBC debuted a strange new comedy show called The Good Place. It was written by Michael Schur, a writer on The Office and the creator of Parks & Recreation, so people were willing to get it a change… but it’s logline was pretty out-there. It’s a half-hour comedy about people who died in the afterlife and, specifically, about Eleanor Shellstrop, a bad person who made it to heaven the good place thanks to a clerical error.

Usually, sitcoms and comedies are much simpler: A group of friends living in New York. A workplace comedy about a paper company or a superstore. Simpler is better, because each episode can take on a whole new identity. What The Good Place did was different. It was a comedy telling one story instead of endless stories. It’s serialized, every episode needs to be seen in order and, by the way, it’s phenomenal.

Sure, it’s a very high concept show about the afterlife and philosophy and, poignantly, what we owe to each other as human beings. It dives into what thinkers like Soren Kierkegaard and Plato thought about the universe, but it also never loses sight of its mission to entertain. The show began as a vehicle for Ted Danson and Kristen Bell and has evolved into a true ensemble, and now truly allows castmembers William Jackson Harper, Jameela Jamil, Darcy Carden and Manny Jacinto to shine.

I don’t want to say too much, because the show is a rollercoaster ride with surprises and fun world-building that will translate better on the screen. Seasons one and two of The Good Place are now streaming on Netflix. Season three premieres Thursday night, that’s September 27, on NBC.

You’ll have a blast, learn actual philosophy, and suddenly enter an inside joke with millions on the internet whenever you watch a Jacksonville Jaguars game. That will make sense, I promise.

I’m Evan Rook.